Everything That Rises Must Converge
·
Julian
An embittered recent college graduate
who lives with his mother. Julian sells typewriters to make money while he
halfheartedly pursues his ambition to be a writer. He has nothing but contempt
for his doting mother, whom he believes has foolish, outdated manners and is
detached from the realities of the changing world. Julian espouses the
progressive ideologies of racial equality that he learned in college but finds
himself unable to act on them or engage in any meaningful conversation with
African Americans. He secretly longs for the comfort and privacy of his grandfather’s
mansion on the old family plantation, despite his avowed repudiation of the
family’s status as former slaveholders.
·
Julian’s Mother
A middle-aged woman from an old
southern family who is enrolled in an exercise class at the YMCA. Julian’s
mother dotes on her son and has made tremendous sacrifices so that he could
have personal and educational opportunities. Julian’s mother lives modestly and
looks back longingly on the family history, reminiscing about the family
plantation and the political and social influence held by previous generations
of the family. She believes that the races should remain segregated and has a
condescending way of treating blacks.
·
Carver’s Mother
A tired and impatient black woman on
the bus, the mother of young Carver. Carver’s mother boards the bus and angrily
chastises Carver for playing with Julian’s mother. When Julian’s mother gives
Carver a penny, his mother flies into a rage and knocks Julian’s mother to the
ground with her large purse. She wears the same foolish purple-and-green hat
that Julian’s mother wears.
·
Carver
A four-year-old boy on the bus, the
son of the imposing black woman. Carver seems oblivious to his mother’s harsh
attitude and tries to play with Julian’s mother on the bus.
·
The Well-Dressed Black Man
A black man dressed in a suit and
carrying a briefcase. He sits next to Julian on the bus and reads a paper,
growing irritated when Julian asks him for matches. Julian wants to chat with
the black man to make his mother uncomfortable but fails in his attempts to make
small talk.
·
The Woman with the Red-and-White
Canvas Shoes
A white passenger on the bus. She
shares Julian’s mother’s narrow view of race and moves to the back row of seats
when the black man in the suit boards the bus.
·
The Woman with the Protruding Teeth
A white passenger on the bus. She chats with Julian’s mother about the heat and gets off the bus when the black man in the suit boards.
Summary
Full Book
Summary
Julian, a recent college graduate, prepares to escort his mother to her
weekly weight-loss class at the YMCA, which she attends to reduce her high
blood pressure. He escorts her there every week because she has refused to take
the bus alone since integration. She adjusts her garish new hat and
contemplates returning it to pay the monthly gas bill. While walking through
their dilapidated neighborhood, Julian imagines moving to a house in the
country. He declares that he will one day make money, even though he knows he
never really will. His mother encourages him to dream, saying that it will take
time to establish himself.
She continues to chatter, mentioning that her grandfather once owned a
plantation with 200 slaves. Embarrassed, Julian comments that the days of
slavery are over, to which she replies that blacks should be free to rise but
should do so separately from whites. Both think about the grandfather’s house
again, and Julian grows envious, despite the fact that he only saw the house in
ruins as a boy. As his mother talks about her black nurse, Caroline, Julian resolves
to sit next to a black person on the bus in reparation for his mother’s
prejudices.
When they arrive at the bus stop, Julian baits his mother by removing his
tie, prompting her to exclaim that he looks like a thug. Julian retorts that
true culture is in the mind and not reflected by how one acts or looks, as his
mother believes. As they bicker, the bus pulls up and they board.
Julian’s mother strikes up conversation with other passengers, eventually
pointing out with relief that there are only white people on the bus. Another
woman joins in, and the subject of the discussion turns to Julian. Julian’s
mother comments that he works as a typewriter salesman but wants to be a
writer. Julian withdraws into a mental bubble. He judges his mother for her
opinions, believing that she lives in a distorted fantasy world of false
graciousness. Although he feels nothing but disdain for her, she has made
sacrifices so that he could have a good education.
The bus stops and a well-dressed African American man boards, sits down,
and opens a newspaper. Julian imagines striking up conversation with him just
to make his mother uncomfortable. Instead, he asks for a light, in spite of the
no-smoking signs and the fact that he doesn’t have any cigarettes. He awkwardly
returns the matches to the man, who glares at him. Julian dreams up new ways to
teach his mother a lesson, imagining that he will ignore her as she gets off
the bus, which would force her to worry that he may not pick her up after her
exercise class.
Julian retreats deeper into his thoughts, daydreaming about bringing a
black lawyer or professor home for dinner or about his mother becoming sick and
requiring treatment from a black doctor. Though he would not want to give his
mother a stroke, he fantasizes about bringing a black woman home and forcing
his mother to accept her. Despite these fantasies, he remembers how he has
failed to connect with the African Americans with whom he has struck up
conversations in the past.
The bus stops again, and a stern-looking black woman boards with her young
son in tow. Julian senses something familiar about her, but he doesn’t know
why. The little boy clambers onto the seat next to Julian’s mother, while the
black woman squeezes into the seat next to Julian. Julian’s mother likes all
children regardless of race and smiles at the little boy. He then realizes with
delight that the black woman seems so familiar because she wears the same ugly
hat as his mother, and he hopes the coincidence will teach his mother a lesson.
The black woman angrily calls out to her son, Carver, yanking him to her side.
Julian’s mother tries to play peek-a-boo with the little boy, but the black
woman ignores her and chastises her son instead.
Julian and the black woman both pull the signal cord at the same time to
get off the bus. Julian realizes with horror that his mother will try to give
Carver a nickel as she does with all little children. While they disembark, his
mother searches through her purse but can find only a penny. Despite Julian’s
warnings, his mother calls after Carver and tells him she has a shiny new penny
for him. Carver’s mother explodes with rage, shouting “He don’t take nobody’s
pennies!” She swings her massive purse and knocks Julian’s mother down to the
ground, then drags Carver away.
Julian berates
his mother as he collects her items and pulls her up. Disoriented, she sways
for a moment before stumbling off. Julian follows and lectures her, saying that
she should learn from her encounter with the woman on the bus, who represents
all African Americans and their distaste for condescending handouts. Reaching
out to grab her arm, he sees a strange expression on her face. She tells him to
call for Grandpa or her nurse, Caroline, to fetch her. Wresting herself from
his grasp, she crumples to the pavement. Julian rushes to her and finds her
face distorted, one eye rolling around and the other fixed on his face before
finally closing. Julian starts to run for help but quickly returns to his
mother’s side.
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